Look insideHeinrich Scheidemann (~1595–1663) Complete Harpsichord Music
Urtext edited by Pieter Dirksen [pno(hps)]
84 pages | 23 x 30,5 cm | 328 g | ISMN: 979-0-004-18084-6 | Saddle Stitch
The “Complete Harpsichord Edition” of the works of Heinrich Scheidemann contains many first editions as well as a number of pieces that have been edited for the first time on the basis of all available sources. This group of works is dominated by dances in which Scheidemann seems less inclined to follow in the footsteps of his teacher Sweelinck than to adopt new idioms and developments from other countries (England, France, Italy). Although far more works by Scheidemann have survived for the organ, including the “Motet Colorations” (EB 8455), his works for other keyboard instruments were widely disseminated in northern Germany during his lifetime, as is proven by the many sources.
| 1. Praeambulum in d |
| 2. Toccata in C |
| 3. Fantasia in G |
| 4. Betrübet ist zu dieser Frist |
| 5. Mio cor, se vera sei salamandra (after Felice Anerio) |
| 6. Pavana Lachrymae (after John Dowland) |
| 7. Galliarda & Variato in d |
| 8a. English Mascarata in g |
| 8b. English Mascarata in g |
| 9. Mascarata in C (after Robert Johnson) |
| 10. Mascarata & Variato in G |
| 11. Ballet in d |
| 12. Ballet in F |
| 13. Allemand in d |
| 14. French Allemand in d |
| 15. Allemand in c |
| 16. Allemand & Double in c |
| 17. Allemand & Courant in d |
| 18. Allemand & Courant in G |
| 19. Courant in d |
| 20. Courant in d (after Orlando Gibbons) |
| 21. French Courant & Variatio in d |
| 22. Courant & Variatio in d |
| 23. Courant & Variatio in d |
| 24. Courant & Variatio in d (after Nicolas La Grotte) |
| 25. Courant & Variatio in d |
| 26a. French Courant in F |
| 26b. Courant in C |
| 27. Courant & Variatio in F |
| 28. Courant in g (after Girolamo Frescobaldi) |
| 29. Courant in a |
| 30. Courant & 2 Variatios in a |