Heinrich Scheidemann (~1595–1663) Complete Motet Intabulations
Urtext edited by Klaus Beckmann [org]
You will find more works by north German organ masters here.
88 pages | 23 x 30,5 cm | 325 g | ISMN: 979-0-004-17751-8 | Softbound
Motet intabulations – the instrumental versions of polyphonic vocal pieces – were long neglected by publishers, even though this arrangement technique was widely practiced in the early 17th century. And, to judge from the twelve surviving intabulations by the Hamburg organist Heinrich Scheidemann (c. 1596-1663), they were anything but occasional works. Painstakingly transcribed and frequently based on famous original works (by Orlando di Lasso, Hans Leo Hassler and others), Scheidemann's motet intabulations form a substantial part of his compositional oeuvre.
| Alleluja, laudem dicite deo nostro | (Hans Leo Hassler) |
| Angelus ad pastores ait | (Orlando di Lasso) |
| Benedicam domino | (Orlando di Lasso) |
| Benedicam domino | (Hieronymus Praetorius) |
| Confitemini domino | (Orlando di Lasso) |
| De ore prudentis procedit mel | (Orlando di Lasso) |
| Dic nobis Maria | (Giovanni Bassano) |
| Dixit Maria ad angelum | (Hans Leo Hassler) |
| Ego sum panis vivus | (Orlando di Lasso) |
| Omnia quae fecisti nobis | (Orlando di Lasso) |
| Surrexit pastor bonus | (Orlando di Lasso) |
| Verbum caro factum est | (Hans Leo Hassler) |
