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  • Hölszky: Deep Field
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Adriana Hölszky (*1953) Deep Field

Zehn KLANGbelichtungen einer METAmorphose [mix ch,orch,tape] 2013 Duration: 75'

Choir: 12S.12A.12T.12B. – 0.0.2(B-clar/[Eb]-clar).0-0.6.6.0.euph. – 6perc. – 2guit.coto. – 2acc.pno.cemb.cel. – db. – tape


World premiere: Düsseldorf, May 23, 2014

hire material | on request
  • Description

For me, to write for dancers is something completely different than to write for voices on stage, or even to unfold a concrete plot. A singer is rather static. By the time hes produced a tone, its already disappearing. Dance, in turn, seems like the speed of light moving about freely in the universe. The relationship to the pulse is also much more difficult in dance. This plays a rather subordinate role for singers, for whom the production of sound stands at the center of their artistry. But in dance, the delicate fluctuation of pulse and speed – thus, of time – is a very sensitive process. Time and space emerge here as in a cosmogony.
(Adriana Hölszky)


Bibliography:

Kostakeva, Maria: Eine Metapher der Welt. In „Deep Field" loten Adriana Hölszky und Martin Schläpfer Fragen der menschlichen Existenz in Klang und Bewegung aus, in: Neue Zeitschrift für Musik 175 (2014), Heft 5, pp. 66-68.

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