On the broadcast of the film “From Dusk Till Dawn”, the following note could be read in Gong (German radio and television programme guide) on 21 May:
The gangsters Seth (George Clooney) and Richard Gecko (Quentin Tarantino) are on the run. On their way to Mexico, they take the apostate preacher Fuller and his children hostage. On their journey, they end up in “Titty Twister Bar”, not suspecting that it is peopled by vampires.

Well, after deducting some film junk, some typical elements remain: what is past and over, constant new dramatic pair constellations, what is dead and constantly reawakening, the transformations, the troubles and destructions, the final annihilation teeming with destruction etc. Basically, it is a myth of ruin, in whose structure the elements are interchangeable.
It could also be told with a coherent material concept, in a historically obsolete manner, in an old-fashioned way, with non-compensation, with flaring abolition yes, does everything always work???
It is good that it only takes place in a bar and that the bar invites us into Titty Twister in attractive neon writing. Restless nature and beauty are at home in the bar today. That facilitates for us the effortlessness of having fun in life. And today there is a special programme my piece Titty Twister for Accordion, Viola, Nepalese Singing Bowl, Pinballs and Mini Dramolettes.

Its all expression, isnt it???

Nicolaus A. Huber (2009)


CD:
Anton Hubert (viola), Wolfgang Dimetrik (accordeon)
CD Gramola 98922


Bibliography:

Kampe, Gordon: Erinnern und Vergessen. Wechselwirkungen in der Kammermusik Nicolaus A. Hubers, in: Programmbuch „Wittener Tage für neue Kammermusik“ 2017, S. 42-47, auch abgedruckt in: MusikTexte, Heft 154 (August 2017), pp. 37-39.