Hans Zender (1936–2019) Schumann-Fantasia
[orch] 1997 duration: 43'
3(Picc).2.cor ang.3(Barsax.B-clar.dbclar).Ssax(Asax).3. – 4.3.3.1. – 4timp.perc(4) – hp – str: 14.12.10.8.6. <br>solo group: str 2.2.2.2.0.
World première: Cologne (Musik der Zeit), September 1, 1998
PB 5424 awarded the German Music Edition Prize 1999
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1. Praeludium - 2. “Ruinen” (nach dem 1. Satz der Phantasie op. 17 von Robert Schumann) - 3. Interludium I - 4. “Triumphbogen” (nach dem 2. Satz der Phantasie) - 5. Interludium II -6. “Sternennacht” (nach dem 3. Satz der Phantasie)
Schumann's C major Fantasy Op. 17 for piano is the point of departure of Hans Zender's compositional journey of discovery in his Schumann-Fantasie. “There is an essay by Schumann in which he praises Schubert for having created his piano music from the spirit of that instrument. The same can be said of Schumanns Fantasy; it is precisely for this reason that an orchestration signifies a reinterpretation of the original.” (Hans Zender)
CDs:
Junge Deutsche Philharmonie, cond. Hans Zender
CD Berlin Classics 0021472BC und Berlin Classics 0021592 BC
SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Sylvain Cambreling
CD Hänssler classic, 93.128
| 1. Präludium |
| 2. Ruinen (nach dem 1. Satz der Fantasie op. 17 von Robert Schumann) |
| 3. Interludium I |
| 4. Triumphbogen (nach dem 2. Satz der Fantasie) |
| 5. Interludium II |
| 6. Sternennacht (nach dem 3. Satz der Fantasie) |