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  • Charpentier: Te Deum H 146
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Marc-Antoine Charpentier (~1643–1704) Te Deum H 146

edited by Jean-Paul Montagnier [solos(SSATB),mix ch(SATB),orch] Duration: 27'

solos: SSATB - choir: SATB - 2./2rec.0.0.0. - 0.0.0.0. - 2vl.2va.vc - bc(org)

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ED 12601 piano vocal score by Jean-Paul Montagnier
ISMN: 979-0-2201-1926-2 (54 pages, 19 x 27,5 cm, 195 g, Softcover)
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ETP 8042 study score
ISMN: 979-3-2002-1821-4 (93 pages, 19 x 26,5 cm, 270 g, Softbound)
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EOS 8042 Basso continuo
ISMN: 979-0-004-78966-7 (16 pages, 21 x 29,7 cm, 50 g, Saddle Stitch)
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EOS 8042 violin 1
ISMN: 979-0-004-78967-4 (12 pages, 21 x 29,7 cm, 37 g, Saddle Stitch)
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EOS 8042 violin 2
ISMN: 979-0-004-78968-1 (12 pages, 21 x 29,7 cm, 37 g, Saddle Stitch)
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EOS 8042 viola 1
ISMN: 979-0-004-78969-8 (12 pages, 21 x 29,7 cm, 37 g, Saddle Stitch)
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EOS 8042 viola 2
ISMN: 979-0-004-78970-4 (12 pages, 21 x 29,7 cm, 37 g, Saddle Stitch)
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EOS 8042 violoncello
ISMN: 979-0-004-78971-1 (12 pages, 21 x 29,7 cm, 37 g, Saddle Stitch)
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EOS 8042 wind parts
ISMN: 979-0-004-78972-8 (64 pages, 21 x 29,7 cm, 201 g, Folder)
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Of the four surviving settings of the Te Deum by Charpentier the present one, H 146, is undoubtedly his most famous work thanks to the television producers who chose its opening prelude to be the Eurovision signature-tune in the early 1950s.
The single extant source of this work is book 62 of the Volume X of Charpentiers autograph ,Meslanges which was sold to the Bibliothèque Royale (now Bibliothèque Nationale) Paris. The manuscript is extremely clear. All editorial additions are placed in square brackets.
(Jean-Paul Montagnier)

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