Concerto in C major K. 299 (297c)
Urtext
[fl,hp,orch] durée: 30' solos: fl.hp – 0.2.0.0 – 2.0.0.0 – str
Description
Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?
The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.
PB 15134
score
EAN: 9790004214701
56 pages / 25 x 32 cm / 260 g / agrafé
PB 15134D
score
EAN: 9790004824733
58 pages / 25 x 32 cm / édition numérique
EB 10768
piano reduction
EAN: 9790201807683
106 pages / 23.5 x 31 cm / 432 g / broché, broché cousu
PB 15135
study score
EAN: 9790004214718
60 pages / 16.5 x 22.5 cm / 129 g / agrafé
OB 15134-15
violin 1
EAN: 9790004341476
12 pages / 25 x 32 cm / 69 g / agrafé
OB 15134-16
violin 2
EAN: 9790004341483
8 pages / 25 x 32 cm / 53 g / agrafé
OB 15134-19
viola
EAN: 9790004341490
8 pages / 25 x 32 cm / 54 g / agrafé
OB 15134-26
basso (cello/double bass)
EAN: 9790004341506
8 pages / 25 x 32 cm / 54 g / agrafé
OB 15134-30
wind parts
EAN: 9790004341513
16 pages / 25 x 32 cm / 92 g / dossier
Description
Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double concerto for this unusual scoring in Paris in 1778 and even though he had just admitted to his father that he couldnt stand the flute. It is surprising, then, that Mozart produced a singular, fairly easily performable work. Could it be that he exaggerated their technical abilities for some reason or other when he described his patrons to his father?
The source situation is clear: An autograph has survived which is definitive in every respect, and can be incontestably included in a modern Urtext edition, down to the distinction between staccato dots and dashes.
Table des matières
| 1. | Allegro |
| 2. | Andantino |
| 3. | Rondo: Allegro |