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Maurice Ravel - Bolero - Cover
Maurice Ravel (1875–1937)

Bolero

Urtext

Jean-François Monnard (éd.)

[orch] durée: 16' 3(picc).3(ob.d’am.cor angl.).3(Eb-clar.B-clar).S-Sax,T-Sax(S-Sax).3(dble bsn) – 4.4.3.1 – timp.perc(4) – hp – cel – str

Description

Jean-François Monnard’s new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel’s first sketch of the score as well as his final handwritten score were laid down as the principal sources. Jean-François Monnard’s new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel’s first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel’s sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel’s ideas concerning the tempo: “I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies.”
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PB 5299 - Bolero - Cover

PB 5299

score
preface: Allemand, Anglais, Français critical report: Allemand

EAN: 9790004211915

76 pages / 25 x 32 cm / 349 g / broché, broché cousu

feuilleter
View on nkoda

75,90 €

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PB 5299D - Bolero - Cover

PB 5299D Digital Product

score
preface: Allemand, Anglais, Français critical report: Allemand

EAN: 9790004824597

78 pages / 25 x 32 cm / édition numérique

édition numérique
feuilleter

75,90 €

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PB 5524 - Bolero - Cover

PB 5524

study score

EAN: 9790004212134

80 pages / 16.5 x 22.5 cm / 171 g / broché

feuilleter

18,90 €

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OB 5299-15 - Bolero - Cover

OB 5299-15

violin 1

EAN: 9790004339299

12 pages / 25 x 32 cm / 68 g / agrafé

6,50 €

quantité minimale de commande: 6 pièces

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OB 5299-16 - Bolero - Cover

OB 5299-16

violin 2

EAN: 9790004339305

8 pages / 25 x 32 cm / 54 g / agrafé

6,50 €

quantité minimale de commande: 5 pièces

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OB 5299-19 - Bolero - Cover

OB 5299-19

viola

EAN: 9790004339312

8 pages / 25 x 32 cm / 54 g / agrafé

6,50 €

quantité minimale de commande: 4 pièces

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OB 5299-23 - Bolero - Cover

OB 5299-23

violoncello

EAN: 9790004339329

8 pages / 25 x 32 cm / 49 g / agrafé

6,50 €

quantité minimale de commande: 3 pièces

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OB 5299-27 - Bolero - Cover

OB 5299-27

double bass

EAN: 9790004339336

4 pages / 25 x 32 cm / 34 g / agrafé

6,50 €

quantité minimale de commande: 2 pièces

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OB 5299-30 - Bolero - Cover

OB 5299-30

wind parts

EAN: 9790004339343

142 pages / 25 x 32 cm / 584 g / dossier

108,00 €

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MM 2147311 - Bolero - Cover

MM 2147311

hire material

Description

Description

Jean-François Monnard’s new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel’s first sketch of the score as well as his final handwritten score were laid down as the principal sources. Jean-François Monnard’s new Urtext edition is the first to be based on a musicologically well-founded source comparison. Ravel’s first sketch of the score as well as his final handwritten score were laid down as the principal sources. In his preface, Monnard examines Ravel’s sound aesthetics against the background of concert reception and historical recordings. Moreover, he also provides insights into Ravel’s ideas concerning the tempo: “I must say that the Bolero is rarely conducted the way I think it should. Mengelberg speeds up and slows down excessively. Toscanini takes it twice as fast as it should be and broadens the tempo at the close, which is indicated nowhere. No: the Bolero should be played in one single tempo from the beginning to the end, in the plaintive and monotonous style of Spanish-Arabian melodies.”

Critiques et recommandations

„Die musikalische Praxis wird darüber hinaus wieder einmal mit einem gestochen scharfen Notenbild verwöhnt, das keine Wünsche offen lässt. Mehr als nur eine Ergänzung stellt das von Jean-François Monnard verfasste Vorwort dar.“
Michael Kube, Schweizer Musikzeitung

„Der Herausgeber zieht auch handschriftliche Quellen hinzu – und das ist das eigentlich Interessante. So kann er Fehler und Unstimmigkeiten der Durand-Ausgaben korrigieren und darüber hinaus beispielsweise auch frühe Stadien des Kompositionsprozesses dokumentieren.“
Andreas Friesenhagen, FonoForum

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Critical Report to PB 5299 (German)
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