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Felix Mendelssohn Bartholdy - Concert Overture No. 1 Op. 21 MWV P 3 - Cover
Felix Mendelssohn Bartholdy (1809–1847)

Concert Overture No. 1 Op. 21 MWV P 3

to Shakespeare′s A Midsummer Night’s Dream – Urtext based on the Leipzig Mendelssohn Complete Edition

Christian Martin Schmidt (éd.)

[orch] durée: 12' 2.2.2.2 – 2.2.0.0.oph – timp – str

Christian Martin Schmidt is laying bare to musical practice the original form of Mendelssohn’s epoch-making Overture to “A Midsummer Night’s Dream” buried beneath layers of falsified material for the first time.

You will find the complete work of “A Midsummer Night’s Dream” by Felix Mendelssohn Bartholdy under w4280.

Description

To this day, Mendelssohns epoch-making Overture to A Midsummer Night's Dream has been performed on the basis of a more than dubious transmission. Neither the first edition of the parts (1832), and certainly not the print of the score based on these parts (1835) go back directly to the autograph of the 17-year-old composer, which is now located in Krakow. No wonder, since Mendelssohn had breezily given away his original at an early date. The result: during his lifetime, versions were published with his authorization, even though they were full of unintended inconsistencies. Yet the autograph of 1826 is unequivocal: it is clear, practically free of irregularities and diverges considerably from the corrupted printed version. Christian Martin Schmidt comes up with occasionally differing musical passages, but above all with logical and compositionally compelling performance instructions, laying bare to musical practice the original form buried beneath layers of falsified material for the first time.
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PB 5364 - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

PB 5364

score
preface: Allemand, Anglais critical report: Allemand

EAN: 9790004211458

72 pages / 25 x 32 cm / 319 g / agrafé

feuilleter
View on nkoda

53,00 €

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PB 5364D - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

PB 5364D Digital Product

score
preface: Allemand, Anglais critical report: Allemand

EAN: 9790004823286

74 pages / 25 x 32 cm / édition numérique

édition numérique
feuilleter

53,00 €

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OB 5364-15 - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

OB 5364-15

violin 1

EAN: 9790004337387

12 pages / 25 x 32 cm / 70 g / agrafé

6,90 €

quantité minimale de commande: 5 pièces

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OB 5364-16 - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

OB 5364-16

violin 2

EAN: 9790004337394

12 pages / 25 x 32 cm / 69 g / agrafé

6,90 €

quantité minimale de commande: 5 pièces

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OB 5364-19 - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

OB 5364-19

viola

EAN: 9790004337400

8 pages / 25 x 32 cm / 53 g / agrafé

6,90 €

quantité minimale de commande: 4 pièces

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OB 5364-23 - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

OB 5364-23

violoncello

EAN: 9790004337417

8 pages / 25 x 32 cm / 54 g / agrafé

6,90 €

quantité minimale de commande: 3 pièces

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OB 5364-27 - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

OB 5364-27

double bass

EAN: 9790004337424

8 pages / 25 x 32 cm / 54 g / agrafé

6,90 €

quantité minimale de commande: 2 pièces

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OB 5364-30 - Concert Overture No. 1 Op. 21 MWV P 3 - Cover

OB 5364-30

wind parts

EAN: 9790004337431

56 pages / 25 x 32 cm / 254 g / dossier

63,00 €

Description

Description

To this day, Mendelssohns epoch-making Overture to A Midsummer Night's Dream has been performed on the basis of a more than dubious transmission. Neither the first edition of the parts (1832), and certainly not the print of the score based on these parts (1835) go back directly to the autograph of the 17-year-old composer, which is now located in Krakow. No wonder, since Mendelssohn had breezily given away his original at an early date. The result: during his lifetime, versions were published with his authorization, even though they were full of unintended inconsistencies. Yet the autograph of 1826 is unequivocal: it is clear, practically free of irregularities and diverges considerably from the corrupted printed version. Christian Martin Schmidt comes up with occasionally differing musical passages, but above all with logical and compositionally compelling performance instructions, laying bare to musical practice the original form buried beneath layers of falsified material for the first time.

Critiques et recommandations

„Die beiden Ausgaben für die Violine bieten nicht nur den Notentext in wirklich bester Druckqualität, sondern auch Vorworte des Herausgebers, die über die Überlieferung der Werke knapp und genau informieren, sowie kritische Berichte, welche die editorischen Maßnahmen und Entscheidungen begründen.“
Giselher Schubert, FonoForum

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