Cantata BWV 213 “Lasst uns sorgen, lasst uns wachen”
Herkules auf dem Scheideweg – Dramma per musica – Urtext
[solos,mix ch,orch] duration: 43' solos: SATB – choir: SATB – 0.2(ob d’am).0.0 – 2.0.0.0 – str – bc
vocal text: Allemand, FrançaisDescription
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised. It is known that Bach reused the music of Cantata BWV 213 in his Christmas Oratorio and, as Hans Grüss convincingly explains, paid close attention to the preparation of the performance material in light of the repeated use of the new work. “The final version of the cantata is recognizable in the parts of the Christmas Oratorio”, states Grüss. The specifics of the later revision can thus be retraced. They have also entailed a number of editorial consequences which cast a new light on the Cantata BWV 213.
PB 4713
score
EAN: 9790004210499
80 pages / 23 x 30.5 cm / 306 g / softcover
EB 7213
piano vocal score
EAN: 9790004173640
60 pages / 19 x 27 cm / 177 g / softcover
ChB 4713
choral score
EAN: 9790004407936
12 pages / 19 x 27 cm / 31 g / stapled
ChB 4713D
choral score
EAN: 9790004816462
12 pages / 19 x 27 cm / digital edition
OB 4713-11
organ
EAN: 9790004333709
52 pages / 32 x 25 cm / 227 g / stapled
OB 4713-15
violin 1
EAN: 9790004333716
12 pages / 25 x 32 cm / 69 g / stapled
OB 4713-16
violin 2
EAN: 9790004333723
8 pages / 25 x 32 cm / 54 g / stapled
OB 4713-19
viola
EAN: 9790004333730
12 pages / 25 x 32 cm / 70 g / stapled
OB 4713-26
basso (cello/double bass)
EAN: 9790004333747
20 pages / 25 x 32 cm / 97 g / stapled
OB 4713-30
wind parts
EAN: 9790004333754
22 pages / 25 x 32 cm / 115 g / folder
Description
Description
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised. It is known that Bach reused the music of Cantata BWV 213 in his Christmas Oratorio and, as Hans Grüss convincingly explains, paid close attention to the preparation of the performance material in light of the repeated use of the new work. “The final version of the cantata is recognizable in the parts of the Christmas Oratorio”, states Grüss. The specifics of the later revision can thus be retraced. They have also entailed a number of editorial consequences which cast a new light on the Cantata BWV 213.