Organ Concerto (No. 15) in D minor HWV 304
Urtext
Newburgh Hamilton (texte)
[org,str,bc] durée: 12' solo: org – str – bc
Description
Ton Koopman’s new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions.
“I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary.” (Ton Koopman in “Concerto”)
“Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes.” (Katholische Kirchenmusik)
Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
PB 5252
score
EAN: 9790004210659
20 pages / 23 x 30.5 cm / 92 g / broché
OB 5252-03
solo organ
EAN: 9790004334003
16 pages / 23 x 30.5 cm / 83 g / broché
OB 5252-12
Basso continuo
EAN: 9790004334010
4 pages / 23 x 30.5 cm / 28 g / broché
OB 5252-15
violin 1 and 2
EAN: 9790004334027
4 pages / 23 x 30.5 cm / 28 g / broché
OB 5252-17
violin 3
EAN: 9790004334034
4 pages / 23 x 30.5 cm / 38 g / broché
OB 5252-19
viola
EAN: 9790004334041
4 pages / 23 x 30.5 cm / 29 g / broché
OB 5252-26
basso (cello/double bass)
EAN: 9790004334058
2 pages / 23 x 30.5 cm / 29 g / broché
Description
Ton Koopman’s new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions.
“I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary.” (Ton Koopman in “Concerto”)
“Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes.” (Katholische Kirchenmusik)
Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.
Table des matières
| 1. | Andante |
| 2. | Grave |
| 3. | Organo ad libitum: Fuga in G major HWV 606 |
| 4. | Allegro |