L’Italiana in Algeri
Overture to the Opera
[orch] duration: 11' 1.2.2.2 – 2.2.0.0 – timp – str
Description
Gioachino Rossini’s overture to L’Italiana in Algeri is truly unique – a brilliant blend of musical wit, suspense, and exuberant joie de vivre.
Rossini composed the opera in 1813 in just a few days. This opera buffa tells the adventurous story of Isabella, a clever Italian woman who rescues her lover from Algeria and, in the process, outwits the local ruler. Since its triumphant premiere on 22 May 1813, at Venice's Teatro San Benedetto, the opera has never lost its place in the repertoire, while the overture frequently shines as a standalone concert piece.
The overture begins with a solemn introduction and, with lively woodwind melodies, develops into a spirited piece full of wit and energy. Typical of Rossini’s style are lively rhythms, surprising dynamic changes, and crescendos. The overture effectively prepares the audience for the opera’s humorous and turbulent plot.
PB 5144
score
EAN: 9790004208885
32 pages / 25 x 32 cm / 165 g / stapled
PB 5144D
score
EAN: 9790004821107
32 pages / 23 x 30.5 cm / digital edition
OB 5144-15
violin 1
EAN: 9790004329573
4 pages / 25 x 32 cm / 33 g / stapled
OB 5144-16
violin 2
EAN: 9790004329580
4 pages / 25 x 32 cm / 33 g / stapled
OB 5144-19
viola
EAN: 9790004329597
4 pages / 25 x 32 cm / 33 g / stapled
OB 5144-26
basso (cello/double bass)
EAN: 9790004329603
4 pages / 25 x 32 cm / 33 g / stapled
OB 5144-30
wind parts
EAN: 9790004329610
46 pages / 25 x 32 cm / 215 g / folder
Description
Gioachino Rossini’s overture to L’Italiana in Algeri is truly unique – a brilliant blend of musical wit, suspense, and exuberant joie de vivre.
Rossini composed the opera in 1813 in just a few days. This opera buffa tells the adventurous story of Isabella, a clever Italian woman who rescues her lover from Algeria and, in the process, outwits the local ruler. Since its triumphant premiere on 22 May 1813, at Venice's Teatro San Benedetto, the opera has never lost its place in the repertoire, while the overture frequently shines as a standalone concert piece.
The overture begins with a solemn introduction and, with lively woodwind melodies, develops into a spirited piece full of wit and energy. Typical of Rossini’s style are lively rhythms, surprising dynamic changes, and crescendos. The overture effectively prepares the audience for the opera’s humorous and turbulent plot.