Brandenburg Concerto No. 1 in F major BWV 1046
Urtext
[orch] duration: 25' vl conc – 0.3.0.1 – 2.0.0.0 – str – bc
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.”
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)
PB 4063
score
EAN: 9790004202395
48 pages / 23 x 30.5 cm / 175 g / stapled
OB 4063-03
solo violin
EAN: 9790004303252
16 pages / 25 x 32 cm / 85 g / stapled
OB 4063-12
harpsichord/piano
EAN: 9790004303269
12 pages / 25 x 32 cm / 71 g / stapled
OB 4063-15
violin 1
EAN: 9790004303276
8 pages / 25 x 32 cm / 55 g / stapled
OB 4063-16
violin 2
EAN: 9790004303283
8 pages / 25 x 32 cm / 55 g / stapled
OB 4063-19
viola
EAN: 9790004303290
4 pages / 25 x 32 cm / 37 g / stapled
OB 4063-23
violoncello
EAN: 9790004303306
8 pages / 25 x 32 cm / 54 g / stapled
OB 4063-27
double bass
EAN: 9790004303313
8 pages / 25 x 32 cm / 54 g / stapled
OB 4063-30
wind parts
EAN: 9790004303320
40 pages / 25 x 32 cm / 191 g / folder
Description
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.”
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)