Vocalise in C sharp minor Op. 34/14
Urtext
Version for Soprano and Orchestra
[S,orch] durée: 6′ solo: S – 2.2.2.2 – 2.0.0.0 – str
Description
Rachmaninow added a short, final piece without lyrics to his op. 34 collection of songs three years after the other 13 pieces were written in 1912: the Vocalise, which quickly became a worldwide success. Since its premiere in 1916, countless arrangements of this melancholic and expressive piece have been disseminated; however, only two were created by Rachmaninow himself, one for voice and orchestra and one for orchestra alone.
With this edition, we present the version for voice and orchestra in Urtext for the first time, drawing on autograph sources held by the Glinka Museum in Moscow and the 1916 Russian first edition. Minor variations, compared to the piano version, are listed in the Critical Report.
PB 15168
score
EAN: 9790004215944
16 pages / 25 x 32 cm / 105 g / agrafé
PB 15168D
score
EAN: 9790004820698
17 pages / 25 x 32 cm / édition numérique
EB 11237
piano vocal score
EAN: 9790201812373
22 pages / 21 x 29.7 cm / 92 g / agrafé
OB 15168-15
violin 1
EAN: 9790004355923
4 pages / 25 x 32 cm / 37 g / agrafé
OB 15168-16
violin 2
EAN: 9790004355930
4 pages / 25 x 32 cm / 37 g / agrafé
OB 15168-19
viola
Urtext
EAN: 9790004355947
4 pages / 25 x 32 cm / 37 g / agrafé
OB 15168-23
violoncello
Urtext
EAN: 9790004355954
4 pages / 25 x 32 cm / 37 g / agrafé
OB 15168-27
double bass
Urtext
EAN: 9790004355961
4 pages / 25 x 32 cm / 37 g / agrafé
OB 15168-30
wind parts
Urtext
EAN: 9790004355978
20 pages / 25 x 32 cm / 105 g / dossier
Description
Rachmaninow added a short, final piece without lyrics to his op. 34 collection of songs three years after the other 13 pieces were written in 1912: the Vocalise, which quickly became a worldwide success. Since its premiere in 1916, countless arrangements of this melancholic and expressive piece have been disseminated; however, only two were created by Rachmaninow himself, one for voice and orchestra and one for orchestra alone.
With this edition, we present the version for voice and orchestra in Urtext for the first time, drawing on autograph sources held by the Glinka Museum in Moscow and the 1916 Russian first edition. Minor variations, compared to the piano version, are listed in the Critical Report.