Double Concerto in D minor reconstructed after BWV 1060
Urtext
[ob(vl),vl,hps,str] duration: 18' solos: ob(vl).vl – hps – str
Description
Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key, editor Klaus Hofmann decided against C minor, which the previous generation had preferred, and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenzs labor is an inspired, transparent “Clavier” reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will un doubtedly welcome this arrangement, which boldly transgresses the conven tions of piano scores and presents a “new” work, the “Trio Sonata” in D minor BWV 1060.
PB 5289
score
EAN: 9790004210307
32 pages / 25 x 32 cm / 146 g / stapled
EB 8662
piano reduction
ob,vl(2vl),pno
EAN: 9790004180297
58 pages / 23 x 30.5 cm / 234 g / stapled
EB 8662D
piano reduction
ob,vl(2vl),pno
EAN: 9790004813690
51 pages / 23 x 30.5 cm / digital edition
OB 5289-03
solo oboe
EAN: 9790004333143
8 pages / 25 x 32 cm / 54 g / stapled
OB 5289-04
solo violin
EAN: 9790004333136
14 pages / 25 x 32 cm / 77 g / stapled
OB 5289-12
harpsichord/piano
EAN: 9790004333150
16 pages / 25 x 32 cm / 85 g / stapled
OB 5289-15
violin 1
EAN: 9790004333167
8 pages / 25 x 32 cm / 53 g / stapled
OB 5289-16
violin 2
EAN: 9790004333174
8 pages / 25 x 32 cm / 53 g / stapled
OB 5289-19
viola
EAN: 9790004333181
8 pages / 25 x 32 cm / 53 g / stapled
OB 5289-26
basso (cello/double bass)
EAN: 9790004333198
8 pages / 25 x 32 cm / 54 g / stapled
Description
Description
Here is a publication that springs from the spirit of Baroque transcription practice at its best. In our case, it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key, editor Klaus Hofmann decided against C minor, which the previous generation had preferred, and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenzs labor is an inspired, transparent “Clavier” reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will un doubtedly welcome this arrangement, which boldly transgresses the conven tions of piano scores and presents a “new” work, the “Trio Sonata” in D minor BWV 1060.