Choral Fantasia in C minor Op. 80
Urtext
Christoph Kuffner (text)
[pno,mix ch,orch] solo: pno – choir: SATB – 2.2.2.2 – 2.2.0.0 – timp – str
vocal text: Allemand, FrançaisDescription
The history of the origins and sources of Beethovens “Choral Phantasy” is complex and poses considerable difficulties to todays researchers. A definitive “final version” is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.
“Für Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stück – und auch nicht besonders schwer. Verwiesen sei noch auf das vorzügliche Vorwort des Herausgebers.” (Plischke, Das Liebhaberorchester)
PB 5230
score
EAN: 9790004209592
72 pages / 25 x 32 cm / 322 g / softbound
PB 5230D
score
EAN: 9790004820759
74 pages / 25 x 32 cm / digital edition
EB 4348
piano vocal score
EAN: 9790004162897
36 pages / 23 x 30.5 cm / 155 g / stapled
EB 4348D
piano vocal score
EAN: 9790004810736
38 pages / 23 x 30.5 cm / digital edition
PB 5258
study score
EAN: 9790004210864
72 pages / 16.5 x 22.5 cm / 156 g / stapled
OB 5230-03
solo piano
EAN: 9790004331507
26 pages / 25 x 32 cm / 127 g / stapled
OB 5230-15
violin 1
EAN: 9790004331514
4 pages / 25 x 32 cm / 35 g / stapled
OB 5230-16
violin 2
EAN: 9790004331521
4 pages / 25 x 32 cm / 38 g / stapled
OB 5230-19
viola
EAN: 9790004331538
4 pages / 25 x 32 cm / 38 g / stapled
OB 5230-23
violoncello
EAN: 9790004331545
4 pages / 25 x 32 cm / 35 g / stapled
OB 5230-27
double bass
EAN: 9790004331552
4 pages / 25 x 32 cm / 35 g / stapled
OB 5230-30
wind parts
EAN: 9790004331569
46 pages / 25 x 32 cm / 211 g / folder
Description
Description
The history of the origins and sources of Beethovens “Choral Phantasy” is complex and poses considerable difficulties to todays researchers. A definitive “final version” is not extant. Instead, there are contemporary printed editions which diverge from each other in many details. The English musicologist Clive Brown thus also based part of his text-critical work on his comprehensive knowledge of the performance and notation practice of Beethovens time.
“Für Orchester, die gelegentlich mit einem Chor zusammenarbeiten, auf jeden Fall zu empfehlen. Ein gerade in seiner Einmaligkeit interessantes Stück – und auch nicht besonders schwer. Verwiesen sei noch auf das vorzügliche Vorwort des Herausgebers.” (Plischke, Das Liebhaberorchester)
Table of contents
| 1. | Adagio |
| 2. | Finale |
| 3. | Adagio ma non troppo |
| 4. | Marcia assai vivace |
| 5. | Allegretto ma no troppo quasi andante con moto |
| 6. | Presto |