Violin Concerto in D major Op. 61
Urtext
[vl,orch] duration: 45' solo: vl – 1.2.2.2 – 2.2.0.0 – timp – str
Description
What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.
PB 5353
score
EAN: 9790004212394
116 pages / 25 x 32 cm / 507 g / softbound
EB 8656
piano reduction
EAN: 9790004184264
116 pages / 23 x 30.5 cm / 429 g / softcover
PB 5531
study score
EAN: 9790004212608
88 pages / 16.5 x 22.5 cm / 179 g / softcover
OB 5353-15
violin 1
EAN: 9790004340707
16 pages / 25 x 32 cm / 82 g / stapled
OB 5353-16
violin 2
EAN: 9790004340714
16 pages / 25 x 32 cm / 86 g / stapled
OB 5353-19
viola
EAN: 9790004340721
16 pages / 25 x 32 cm / 87 g / stapled
OB 5353-23
violoncello
EAN: 9790004340738
16 pages / 25 x 32 cm / 82 g / stapled
OB 5353-27
double bass
EAN: 9790004340745
12 pages / 25 x 32 cm / 66 g / stapled
OB 5353-30
wind parts
EAN: 9790004340752
92 pages / 25 x 32 cm / 404 g / folder
Description
Description
What with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.
Table of contents
| 1. | Allegro non troppo (23 ') |
| 2. | Larghetto |
| 3. | Rondo (Allegro) (9') |
