Wolfgang Amadeus Mozart
(1756–1791)
Complete Concert Arias for Bass
Urtext
Franz Beyer, Robert Holl (ed.)
[B,pno]
vocal text: イタリア語, ドイツ語
The nine surviving bass arias are chiefly works from Mozart’s last creative phase, in which the composer offered little tidbits to the opera singers he was friends with.
Description
The edition by Franz Beyer contains all Mozart concert arias for the lowest voice. The nine surviving bass arias are chiefly works from Mozart’s last creative phase, in which the composer offered little tidbits to the opera singers he was friends with. Deserving special attention are the arias “Per questa bella mano” K. 612 (with obbligato double bass) and “Männer suchen stets zu naschen” K. 433. While editing this aria, Beyer completed the orchestral accompaniment that Mozart had only sketched, which means that this piece is now available for the first time with an orchestral accompaniment in an authentic Mozartian style. Very valuable for performance practice are the cadenzas and Eingänge provided by the internationally acclaimed Mozart singer Robert Holl. Franz Beyer’s edition, which incorporates the cadenzas and “Eingänge” (ornamental flourishes) that Robert Holl has already performed in concert, provides extensive information on the performance practice of Mozart’s vocal music (including appoggiaturas, recitatives, cadenzas/flourishes, dynamics) and supplies an individual commentary on the contents and historical position of each aria. Moreover, the volume contains a list of instructional methods from Mozart’s day (with indications of facsimile reprints or English-language translations) as well as German and English translations of the predominantly Italian aria texts.
EB 8798
piano vocal score
EAN: 9790004183168
88 pages / 23 x 30.5 cm / 337 g / stapled
Description
Description
The edition by Franz Beyer contains all Mozart concert arias for the lowest voice. The nine surviving bass arias are chiefly works from Mozart’s last creative phase, in which the composer offered little tidbits to the opera singers he was friends with. Deserving special attention are the arias “Per questa bella mano” K. 612 (with obbligato double bass) and “Männer suchen stets zu naschen” K. 433. While editing this aria, Beyer completed the orchestral accompaniment that Mozart had only sketched, which means that this piece is now available for the first time with an orchestral accompaniment in an authentic Mozartian style. Very valuable for performance practice are the cadenzas and Eingänge provided by the internationally acclaimed Mozart singer Robert Holl. Franz Beyer’s edition, which incorporates the cadenzas and “Eingänge” (ornamental flourishes) that Robert Holl has already performed in concert, provides extensive information on the performance practice of Mozart’s vocal music (including appoggiaturas, recitatives, cadenzas/flourishes, dynamics) and supplies an individual commentary on the contents and historical position of each aria. Moreover, the volume contains a list of instructional methods from Mozart’s day (with indications of facsimile reprints or English-language translations) as well as German and English translations of the predominantly Italian aria texts.
Table of contents
| 1. | Io ti lascio, oh cara, addio KV Anh. 245 (KV 621a) | (Christian Rudolf Riedel) |
| 2. | Così dunque tradisci – Aspri rimorsi atroci KV 432 (421a) | (Christian Rudolf Riedel) |
| 3. | Männer suchen stets zu naschen KV 433 (416c) | (Franz Beyer) |
| 4. | Alcandro, lo confesso … Non sò d’onde viene KV 512 | (Christian Rudolf Riedel) |
| 5. | Mentre ti lascio, oh figlia KV 513 | (Christian Rudolf Riedel) |
| 6. | Ich möchte wohl der Kaiser sein KV 539 | (Christian Rudolf Riedel) |
| 7. | Un bacio di mano KV 541 | (Christian Rudolf Riedel) |
| 8. | Rivolgete a lui lo sguardo KV 584 | (Christian Rudolf Riedel) |
| 9. | Per questa bella mano (mit obligatem Kontrabass) KV 612 | (Christian Rudolf Riedel) |