A Midsummer Night’s Dream Op. 61 MWV M 13
No. 9 Wedding March – Urtext based on the Leipzig Mendelssohn Complete Edition
[orch] duration: 5' 2.2.2.2 – 2.3.3.0.oph – timp.perc – str
Description
After composing his Concert Overture op. 23 in the summer of 1826, Mendelssohn returned to Shakespeare’s comedy A Midsummer Night’s Dream between 1842 and 1843 to compose his incidental music op. 61, based on August Wilhelm Schlegel’s translation. This music played a significant role in helping the work achieve success in German-speaking countries. Until the beginning of the 20th century, it was considered an integral part of any performance of the comedy, and alternative compositions, such as by Carl Orff, were unsuccessful in competing with Mendelssohn’s popular music.
The Wedding March, no. 9 from the incidental music, is available here as performance material based on the edition by Christian Martin Schmidt in the Leipzig Mendelssohn Edition.
PB 5366
score
EAN: 9790004210529
24 pages / 25 x 32 cm / 134 g / stapled
PB 5366D
score
EAN: 9790004824580
26 pages / 25 x 32 cm / digital edition
OB 5366-15
violin 1
EAN: 9790004334386
4 pages / 25 x 32 cm / 33 g / stapled
OB 5366-16
violin 2
EAN: 9790004334393
4 pages / 25 x 32 cm / 34 g / stapled
OB 5366-19
viola
EAN: 9790004334409
4 pages / 25 x 32 cm / 33 g / stapled
OB 5366-23
violoncello
EAN: 9790004334416
4 pages / 25 x 32 cm / 33 g / stapled
OB 5366-27
double bass
EAN: 9790004334423
4 pages / 25 x 32 cm / 33 g / stapled
OB 5366-30
wind parts
EAN: 9790004334430
52 pages / 25 x 32 cm / 237 g / folder
Description
After composing his Concert Overture op. 23 in the summer of 1826, Mendelssohn returned to Shakespeare’s comedy A Midsummer Night’s Dream between 1842 and 1843 to compose his incidental music op. 61, based on August Wilhelm Schlegel’s translation. This music played a significant role in helping the work achieve success in German-speaking countries. Until the beginning of the 20th century, it was considered an integral part of any performance of the comedy, and alternative compositions, such as by Carl Orff, were unsuccessful in competing with Mendelssohn’s popular music.
The Wedding March, no. 9 from the incidental music, is available here as performance material based on the edition by Christian Martin Schmidt in the Leipzig Mendelssohn Edition.