Oboe Concerto in C major K. 314 (285d)
Urtext
[ob,orch] duration: 20' solos: ob – 0.2.0.0 – 2.0.0.0 – str
Description
Mozart is believed to have written an oboe concerto for the Salzburg virtuoso Giuseppe Ferlendis in 1777. The work was considered lost until 1920, when Bernhard Paumgartner discovered a copy of the parts that must have been written shortly before Mozart's death. Nevertheless, this copy proved to be much more unreliable than the copy of the parts of the flute concerto. Every source-critical edition must take these parts into consideration, as there is otherwise no extant source material aside from a brief autograph sketch. Henrik Wiese's new edition consistently distinguishes between what can be regarded as Urtext and what the informed player must interpret himself. To this end, the edition for oboe and piano also contains a study part in which the solo parts for flute and oboe are placed synoptically opposite each other.
PB 5309
score
EAN: 9790004212097
52 pages / 25 x 32 cm / 246 g / stapled
PB 5309D
score
EAN: 9790004821015
54 pages / 25 x 32 cm / digital edition
EB 8048
piano reduction
EAN: 9790004183496
72 pages / 23 x 30.5 cm / 282 g / stapled
PB 5526
study score
EAN: 9790004212554
48 pages / 16.5 x 22.5 cm / 107 g / stapled
OB 5309-15
violin 1
EAN: 9790004340073
8 pages / 25 x 32 cm / 53 g / stapled
OB 5309-16
violin 2
EAN: 9790004340080
8 pages / 25 x 32 cm / 53 g / stapled
OB 5309-19
viola
EAN: 9790004340097
8 pages / 25 x 32 cm / 54 g / stapled
OB 5309-26
basso (cello/double bass)
EAN: 9790004340103
8 pages / 25 x 32 cm / 50 g / stapled
OB 5309-30
wind parts
EAN: 9790004340110
16 pages / 25 x 32 cm / 94 g / folder
Description
Description
Mozart is believed to have written an oboe concerto for the Salzburg virtuoso Giuseppe Ferlendis in 1777. The work was considered lost until 1920, when Bernhard Paumgartner discovered a copy of the parts that must have been written shortly before Mozart's death. Nevertheless, this copy proved to be much more unreliable than the copy of the parts of the flute concerto. Every source-critical edition must take these parts into consideration, as there is otherwise no extant source material aside from a brief autograph sketch. Henrik Wiese's new edition consistently distinguishes between what can be regarded as Urtext and what the informed player must interpret himself. To this end, the edition for oboe and piano also contains a study part in which the solo parts for flute and oboe are placed synoptically opposite each other.
Table of contents
| 1. | Allegro aperto |
| 2. | Adagio non troppo |
| 3. | Rondo: Allegretto |
Reviews and Testimonials
“This handsome urtext edition from Breitkopf is edited by Henrik Wiese and comprises the complete suit of full score, orchestral parts, oboe copy and piano accompaniment.”
Double Reed News