Violin Concerto in A minor BWV 1041
Urtext
[vl,str,bc] duration: 16'
Description
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.
PB 5354
score
EAN: 9790004211533
24 pages / 23 x 30.5 cm / 115 g / stapled
EB 8693
Edition for vl,pno(org/cemb),vc ad lib.
EAN: 9790004182109
58 pages / 23 x 30.5 cm / 229 g / stapled
EB 8693D
Edition for vl,pno(org/cemb),vc ad lib.
EAN: 9790004813805
54 pages / 23 x 30.5 cm / digital edition
PB 5612
study score
Violin Concertos BWV 1041, BWV 1042, BWV 1043
EAN: 9790004215098
72 pages / 16.5 x 22.5 cm / 153 g / stapled
OB 5354-03
solo violin
EAN: 9790004337813
10 pages / 25 x 32 cm / 59 g / stapled
OB 5354-12
harpsichord/piano
EAN: 9790004337820
12 pages / 25 x 32 cm / 75 g / stapled
OB 5354-15
violin 1
EAN: 9790004337837
8 pages / 25 x 32 cm / 49 g / stapled
OB 5354-16
violin 2
EAN: 9790004337844
8 pages / 25 x 32 cm / 49 g / stapled
OB 5354-19
viola
EAN: 9790004337851
8 pages / 25 x 32 cm / 49 g / stapled
OB 5354-26
basso (cello/double bass)
EAN: 9790004337868
8 pages / 25 x 32 cm / 48 g / stapled
Description
Description
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.
Table of contents
| 1. | Movement |
| 2. | Andante |
| 3. | Allegro assai |