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Johann Sebastian Bach - Trio Sonata in B flat major based on BWV 525 and BWV 1032 - Cover
Johann Sebastian Bach (1685–1750)

Trio Sonata in B flat major based on BWV 525 and BWV 1032

Reconstruction

Klaus Hofmann (ed.)

[A-rec(fl),ob(vl),bc]

In his recon-struction, Klaus Hofmann comes as close as possible to the presumably lost original version.

Description

It is now regarded as a proven fact that J. S. Bach derived two works from a trio sonata which was most likely in the key of B flat major: the well-known organ Trio Sonata No. 1 in E flat major BWV 525 and the slow middle move-ment of the incomplete Flute Sonata in A major BWV 1032. In his reconstruction, Klaus Hofmann comes as close as possible to the presumably lost original version. While the melody instruments – the range suggests an alto recorder and oboe – were adapted practically without change, the bass part underwent considerable alterations. An organ pedal part simply is not a continuo line. However, Hofmann found a stylistically and idiomatically compelling solution to this dilemma.
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KM 2277 - Trio Sonata in B flat major based on BWV 525 and BWV 1032 - Cover

KM 2277

EAN: 9790004502426

36 pages / 23 x 30.5 cm / 159 g / stapled

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23,50 €

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KM 2277D - Trio Sonata in B flat major based on BWV 525 and BWV 1032 - Cover

KM 2277D Digital Product

EAN: 9790004817339

35 pages / 23 x 30.5 cm / digital edition

digital edition
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23,50 €

Description

Description

It is now regarded as a proven fact that J. S. Bach derived two works from a trio sonata which was most likely in the key of B flat major: the well-known organ Trio Sonata No. 1 in E flat major BWV 525 and the slow middle move-ment of the incomplete Flute Sonata in A major BWV 1032. In his reconstruction, Klaus Hofmann comes as close as possible to the presumably lost original version. While the melody instruments – the range suggests an alto recorder and oboe – were adapted practically without change, the bass part underwent considerable alterations. An organ pedal part simply is not a continuo line. However, Hofmann found a stylistically and idiomatically compelling solution to this dilemma.
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