Brandenburg Concerto No. 4 in G major BWV 1049
Urtext
[orch] duration: 19' solos: 2rec(2fl).vl conc – str – bc
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.”
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)
PB 4066
score
EAN: 9790004202425
68 pages / 23 x 30.5 cm / 235 g / softcover
EB 8057
piano reduction
EAN: 9790004174456
64 pages / 23 x 30.5 cm / 268 g / stapled
EB 8057D
piano reduction
EAN: 9790004812747
248 pages / 23 x 30.5 cm / digital edition
OB 4066-03
solo violin
EAN: 9790004303542
12 pages / 25 x 32 cm / 69 g / stapled
OB 4066-04
solo flute 1
EAN: 9790004303559
8 pages / 25 x 32 cm / 53 g / stapled
OB 4066-05
solo flute 2
EAN: 9790004303566
8 pages / 25 x 32 cm / 53 g / stapled
OB 4066-12
continuo realization
harpsichord
EAN: 9790004303573
20 pages / 25 x 32 cm / 98 g / stapled
OB 4066-15
violin 1
EAN: 9790004303580
8 pages / 25 x 32 cm / 53 g / stapled
OB 4066-16
violin 2
EAN: 9790004303597
8 pages / 25 x 32 cm / 54 g / stapled
OB 4066-19
viola
EAN: 9790004303603
8 pages / 25 x 32 cm / 53 g / stapled
OB 4066-23
violoncello
EAN: 9790004303610
8 pages / 25 x 32 cm / 48 g / stapled
OB 4066-26
continuo (figured)
EAN: 9790004303627
8 pages / 25 x 32 cm / 49 g / stapled
OB 4066-27
double bass
(violone)
EAN: 9790004303634
8 pages / 25 x 32 cm / 50 g / stapled
Description
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.”
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)