Brandenburg Concerto No. 2 in F major BWV 1047
Urtext
[orch] duration: 21' vl.rec(fl)ob.trp conc.- str – bc
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.”
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)
PB 4064
score
EAN: 9790004202401
40 pages / 23 x 30.5 cm / 146 g / stapled
OB 4064-03
solo violin
EAN: 9790004303337
8 pages / 25 x 32 cm / 54 g / stapled
OB 4064-04
solo recorder
EAN: 9790004303344
8 pages / 25 x 32 cm / 54 g / stapled
OB 4064-05
solo oboe
EAN: 9790004303351
10 pages / 25 x 32 cm / 61 g / stapled
OB 4064-06
solo trumpet
EAN: 9790004303368
4 pages / 25 x 32 cm / 38 g / stapled
OB 4064-12
continuo realization
harpsichord/piano
EAN: 9790004303375
12 pages / 25 x 32 cm / 69 g / stapled
OB 4064-15
violin 1
EAN: 9790004303382
4 pages / 25 x 32 cm / 37 g / stapled
OB 4064-16
violin 2
EAN: 9790004303399
4 pages / 25 x 32 cm / 37 g / stapled
OB 4064-19
viola
EAN: 9790004303405
4 pages / 25 x 32 cm / 38 g / stapled
OB 4064-23
violoncello
EAN: 9790004303412
8 pages / 25 x 32 cm / 49 g / stapled
OB 4064-27
double bass
EAN: 9790004303429
4 pages / 25 x 32 cm / 33 g / stapled
Description
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.”
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)