Violin Concerto in E major BWV 1042
Urtext
[vl,str,bc] duration: 17' solo: vl – str – bc
Description
With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Härtel and its new editions. Bach’s E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist’s suggestions for a stylistically accurate interpretation.
In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.
PB 5355
score
EAN: 9790004211366
24 pages / 25 x 32 cm / 135 g / stapled
EB 8694
piano reduction
vl,pno
EAN: 9790004181829
56 pages / 23 x 30.5 cm / 228 g / stapled
PB 5612
study score
Violin Concertos BWV 1041, BWV 1042, BWV 1043
EAN: 9790004215098
72 pages / 16.5 x 22.5 cm / 153 g / stapled
OB 5355-03
solo violin
EAN: 9790004337110
12 pages / 23 x 30.5 cm / 62 g / stapled
OB 5355-12
harpsichord/piano
EAN: 9790004337127
12 pages / 23 x 30.5 cm / 58 g / stapled
OB 5355-15
violin 1
EAN: 9790004337134
8 pages / 23 x 30.5 cm / 48 g / stapled
OB 5355-16
violin 2
EAN: 9790004337141
4 pages / 23 x 30.5 cm / 35 g / stapled
OB 5355-19
viola
EAN: 9790004337158
4 pages / 23 x 30.5 cm / 37 g / stapled
OB 5355-26
basso (cello/double bass)
EAN: 9790004337165
8 pages / 23 x 30.5 cm / 48 g / stapled
Description
Description
With Sigiswald Kuijken, the Baroque-violin expert, another celebrated performer puts his valuable experience at the disposal of Breitkopf & Härtel and its new editions. Bach’s E major concerto still presents interpretative questions that have yet to be answered. The slurring of the solo part is sometimes quite incredible in the main source. And it is even doubtful that it stems from Bach himself. All the more important are the experienced soloist’s suggestions for a stylistically accurate interpretation.
In his edition for violin and keyboard instrument, Klaus Hofmann goes so far as to supply three violin parts (the first from the new score, the second with markings and notes by SigiswaldKuijken and the third as a facsimile of the main source). The performer is thus thoroughly informed and able to make his own competent decisions. Siegfried Petrenz has realized the continuo part sparingly and idiomatically.
Table of contents
| 1. | Allegro |
| 2. | Adagio |
| 3. | Allegro assai |