Brandenburg Concerto No. 6 in Bb major BWV 1051
Urtext
[orch] duration: 19' 2va.2vagb.vc.db – bc
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)
PB 4068
score
EAN: 9790004202449
44 pages / 23 x 30.5 cm / 158 g / softcover
OB 4068-12
harpsichord/piano
EAN: 9790004303719
12 pages / 25 x 32 cm / 68 g / stapled
OB 4068-19
viola 1
EAN: 9790004303726
10 pages / 25 x 32 cm / 62 g / stapled
OB 4068-20
viola 2
EAN: 9790004303733
8 pages / 25 x 32 cm / 54 g / stapled
OB 4068-21
viola da gamba
EAN: 9790004303740
4 pages / 25 x 32 cm / 33 g / stapled
OB 4068-22
viola da gamba 2
EAN: 9790004303757
4 pages / 25 x 32 cm / 33 g
OB 4068-23
violoncello
EAN: 9790004303764
10 pages / 25 x 32 cm / 57 g / stapled
OB 4068-27
double bass
EAN: 9790004303771
4 pages / 25 x 32 cm / 32 g / stapled
Description
Description
“The aim of this combined scholarly and practical edition of the Brandenburg Concertos is to offer a state of the art performance material of these standard works of Baroque music literature, which satisfies the practical needs of performing artists.
These new editions were based on surviving autographic source material – some of which, for the Fifth Concerto for example, has been taken into account for the first time – and the ’Neue Bach-Ausgabe’ (NBA). Moreover, they also make use of relevant 18th-century theoretical writings for editorial additions and observations on performance practice.
(from the joint preface to the “Six Brandenburg Concertos” by the Bach scholars Werner Felix, Winfried Hoffmann and Armin Schneiderheinze)