Symphony No. 1 in C major Op. 21
Urtext
[orch] duration: 30' 2. 2. 2. 2 – 2. 2. 0. 0 – timp – str
Description
Whether for first editions or not the primary sources of Beethoven’s works always have to be interpreted with great expertise. The editor’s knowledgeability is the decisive point when it comes to the level of quality of a new edition. And both Clive Brown and Peter Hauschild are setting standards.
In the case of the First Symphony, Clive Brown reaches an optimal balance between source criticism and performance-practical requirements. Interpreters and scholars appreciate the “source criticism for performance practice” that Breitkopf cultivates not only in its Beethoven editions.
“On the whole, it was a good idea for Breitkopf to give itself time with these editions. The difficult feat of doing justice to the needs of performers and to philological scholarship has been carried off at a level that raises the standards to an almost frighteningly high level.” (Peter Gülke)
PB 5341
study score
EAN: 9790004211526
68 pages / 16.5 x 22.5 cm / 144 g / stapled
OB 5231-15
violin 1
EAN: 9790004337059
18 pages / 25 x 32 cm / 93 g / stapled
OB 5231-16
violin 2
EAN: 9790004337066
12 pages / 25 x 32 cm / 69 g / stapled
OB 5231-19
viola
EAN: 9790004337073
12 pages / 25 x 32 cm / 71 g / stapled
OB 5231-23
violoncello
EAN: 9790004337080
12 pages / 25 x 32 cm / 66 g / stapled
OB 5231-27
double bass
EAN: 9790004337097
12 pages / 25 x 32 cm / 66 g / stapled
OB 5231-30
wind parts
EAN: 9790004337103
112 pages / 25 x 32 cm / 475 g / folder
Description
Description
Whether for first editions or not the primary sources of Beethoven’s works always have to be interpreted with great expertise. The editor’s knowledgeability is the decisive point when it comes to the level of quality of a new edition. And both Clive Brown and Peter Hauschild are setting standards.
In the case of the First Symphony, Clive Brown reaches an optimal balance between source criticism and performance-practical requirements. Interpreters and scholars appreciate the “source criticism for performance practice” that Breitkopf cultivates not only in its Beethoven editions.
“On the whole, it was a good idea for Breitkopf to give itself time with these editions. The difficult feat of doing justice to the needs of performers and to philological scholarship has been carried off at a level that raises the standards to an almost frighteningly high level.” (Peter Gülke)
Table of contents
| 1. | Adagio molto – Allegro con brio |
| 2. | Andante cantabile con moto |
| 3. | Menuetto: Allegro molto e vivace |
| 4. | Adagio – Allegro molto e vivace |
